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e. Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events. Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art. [1][2] It was a part of the Ottoman book arts ...
Levni's Signature on a miniature painting of a tulip (1720). Levnî Abdulcelil Çelebi (1680s–1732) was an early 18th century Ottoman court painter (attained the position of court painter during the reign of Mustafa II and Ahmed III). He was a prominent Ottoman miniaturist during the Tulip Period, well-regarded for his traditional yet ...
Nakkaş Osman. Nakkaş Osman (sometimes called Osman the Miniaturist[a]) was the chief miniaturist for the Ottoman Empire during the later half of the sixteenth century. The dates of his birth and death are poorly known, but most of his works are dated to the last quarter of the sixteenth century. [1]
Abdullah Buhari was an 18th-century Ottoman court miniature painter. He is often described as the most important Ottoman artist of his period. [1][2] Abdullah Buhari was known for making portraits of women, specializing in female figures and floral still-life. [3] He also had an innovative approach to creating three-dimensional paintings which ...
A Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in ...
Süleymanname. Suleiman marching with his army in Nakhichevan, summer 1554, during the Ottoman-Safavid War of 1532-1555. One of the scenes of the Süleymannâme. The Süleymannâme (or Sulaiman-nama; [1] lit. "Book of Suleiman") is an illustration of Suleiman the Magnificent 's life and achievements. In 65 scenes the miniature paintings are ...
Kamāl ud-Dīn Behzād. Kamāl ud-Dīn Behzād (c. 1455/60–1535), also known as Kamal al-din Bihzad or Kamaleddin Behzād (Persian: کمالالدین بهزاد), was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Periods. [1] He is regarded as marking the highpoint of the ...
Istanbul University Library. Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1] In Turkish it is called “tezhip”, [2] meaning “ornamenting with gold”. The Classical Islamic style of manuscript illumination combines techniques from Turkish, Persian ...
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