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"Forever and Ever" is a song by Greek singer-songwriter Demis Roussos from his second studio album, Forever and Ever (1973). The song was included on Roussos' 1976 EP The Roussos Phenomenon , which reached no.1 in the UK.
Forever and Ever (Demis Roussos album) or the title song (see below), 1973 Forever and Ever – 40 Greatest Hits, by Demis Roussos, 1998; Forever and Ever – Definitive Collection, by Demis Roussos, 2002; Forever and Ever, 1998; Forever and Ever (Howard Hewett album) or the title song, 1988; Forever and Ever (Champion Jack Dupree album), 1991
"Forever and Ever" is a popular song, from a German song, "Fliege mit mir in die Heimat" written by the Austrian songwriter Franz Winkler. It was adopted by the German Luftwaffe as their song during World War II. The English lyrics were written by Malia Rosa in 1948.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
"Forever And Ever" was originally recorded by Kenny, appearing on their 1975 debut LP The Sound Of Super K. Slik covered the song with a heavier arrangement after the Bay City Rollers had refused it. The song was the band's only UK number-one single, and their only UK top 20 hit.
"Forever and Ever, Amen" is a song written by Paul Overstreet and Don Schlitz, and recorded by American country music artist Randy Travis. It was released in March 1987 as the first single from the album Always & Forever and became Travis's third No. 1 single on the U.S. Billboard Hot Country Singles charts.
Live Forever: September 23, 1980 • Stanley Theatre • Pittsburgh, PA is a live album by Bob Marley & The Wailers released in February 2011, recorded at Pittsburgh's Stanley Theatre during the Uprising Tour to support their, then, latest album of the same name.
It features live-action guest appearances from David Long, Jr. as live-action Carl, H. Jon Benjamin as live-action Master Shake (named Don Shake), T-Pain as live-action Frylock, and Drake E. Stephens. [5] Auto-Tune was used for T-Pain's dialog on and off throughout the episode as a reference to his music, which frequently features it.