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A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller 's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Motifs may also be used to establish mood (as the blood motif in Shakespeare's Macbeth), for foreshadowing (as when Mary Shelley, in Frankenstein, mentions the moon almost every time the creature is about to appear), to support the theme (as when, in Sophocles' drama Oedipus Rex, the motif of prophecy strengthens the theme of the ...
The motif-index and the ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein said that, "Together with Thompson's six-volume Motif-Index of Folk-Literature, with which it is cross-indexed, The Types of Folktale constitutes the most important reference work and research tool for comparative folk-tale analysis.” [1] Alan Dundes, who was ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
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A Breton lai, also known as a narrative lay or simply a lay, is a form of medieval French and English romance literature. Lais are short (typically 600–1000 lines), rhymed tales of love and chivalry , often involving supernatural and fairy-world Celtic motifs.