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The most common meaning is a short, easy sonata suitable for students, such as the piano sonatinas of Clementi. However, by no means are all sonatinas technically undemanding, for example the virtuoso sonatinas of Busoni and Alkan , and the Sonatine of Ravel , whose title reflects its neo-classical quality.
Richard Hofmann (30 April 1844 – 11 November 1918) was a German composer and music teacher who worked in Leipzig. Richard Hofmann was born in Delitzsch where his father was the municipal music director. He studied with Raimund Dreyschock (1824–1869) and Salomon Jadassohn and settled in Leipzig as a music teacher. [1]
Sonatinas nos. 1–4 (1928–35) Ethel Smyth. Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16
This sonata is a relatively simple work, featuring less sophistication than most of the other piano sonatas. Strangely, there are no dynamic indications in the autograph or first edition. It is considered the easier of the two "easy sonatas", and is also considered the easiest of all the Beethoven piano sonatas. [3]
Published in 1780. Later revised as Sonatinas and published as Op. 37a (No.1–3) and Op. 38a (No.4–6) in 1798. Op. 5, 3 Sonatas For Keyboard And Violin (1 to 3: Bb, F, Eb) and 3 Fugues For Keyboard (4 to 6: B♭, F, b). Published in 1780. The 3 Fugues will be revised as Op. 44 No. 57, 40 and 25 respectively in the Gradus Ad Parnassum.
These pieces were intended both to test the technique of the students and provide them with new scores. [2] Dutilleux was notoriously critical of his early works, including the Sonatine. He once stated that he had never been completely happy that it was played so often [3] but he never withdrew it.
Marc-Antoine Charpentier. Sonata for 8 H 548 (date unknown) Johann Sebastian Bach. Sonatas for solo violin (BWV 1001, 1003 and 1005) Sonatas for flute and continuo (BWV 1034, 1035)
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