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A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels". Metaphor may also be used for any rhetorical figures of speech that achieve their effects
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
ŋɛu như ɲɯ con kɔn mèo mɛu / Nghèo như con mèo / ŋɛu ɲɯ kɔn mɛu / "Poor as a cat" Whereas the above Vietnamese example is of a rhyming simile, the English simile "(as) poor as a church mouse" is only a semantic simile. See also For a list of words relating to similes, see the English similes category of words in Wiktionary, the free dictionary. Alliteration Analogy Description ...
"Character of the Happy Warrior" is a poem by the English Romantic poet William Wordsworth. Composed in 1806, after the death of Lord Nelson, hero of the Napoleonic Wars, and first published in 1807, [1] the poem purports to describe the ideal "man in arms" and has, through ages since, been the source of much metaphor in political and military life.
Longfellow uses the poem to glorify and celebrate a humble, plain person, much as John Greenleaf Whittier does in his poem "The Barefoot Boy". [18] Further, Simon Bronner notes that, like Nathaniel Hawthorne 's woodcarver character in "Drowne's Wooden Image", Longfellow is praising the craftsman in a time of industrialization.
A Dictionary of Similes is a dictionary of similes written by the American writer and newspaperman Frank J. Wilstach. In 1916, Little, Brown and Company in Boston published Wilstach's A Dictionary of Similes, a compilation he had been working on for more than 20 years. It included more than 15,000 examples from more than 800 authors, indexing ...
The poem describes the poet's idyllic family life with his own three daughters, Alice, Edith, and Anne Allegra: [1] "grave Alice, and laughing Allegra, and Edith with golden hair." As the darkness begins to fall, the narrator of the poem (Longfellow himself) is sitting in his study and hears his daughters in the room above. He describes them as ...
A small part of the poem is stated above, this summarises the main idea of the poem itself: the father works to keep the family safe and warm without expecting appreciation for it. [9] Another symbol found in the poem is the symbol of the "good shoes". As the titles reminds the readers, it is a Sunday, a religious day.