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Despite the kimono having been at one point and continuing to appear to be held shut by the obi, many modern obi are too wide and stiff to function in this way, with a series of ties known as koshihimo, worn underneath the obi, used to keep the kimono closed instead.
Kimono slip (着物スリップ, kimono surippu) A one-piece undergarment combining the hadajuban and the susoyoke. [2]: 76 [4] Kinchaku A traditional Japanese drawstring bag or pouch, worn like a purse or handbag (vaguely similar to the English reticule), for carrying around personal possessions. A kind of sagemono. Koshihimo (腰紐, lit.
[12]: 137 For men, under-kimono often featured highly-decorative and often heavily pictorial scenes that would then be covered entirely by the outer kimono, which was typically very plain or designed with a simple and subtle pattern. Example of men's under-kimono within the collection display depictions of performers, dancers and haiku poems ...
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The jūnihitoe was composed of a number of kimono-like robes, layered on top of each other, with the outer robes cut both larger and thinner to reveal the layered garments underneath. These robes were referred to as hitoe , with the innermost robe – worn as underwear against the skin – known as the kosode .
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The technique of ayadashi (綾出), which produces patterns and characters on the kumihimo, appeared during this period, and various new methods of weaving patterns appeared along with the popularity of the iki aesthetic. [4] [5] [6] [10] A vermilion obijime tied over the kimono and obi
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