Search results
Results from the WOW.Com Content Network
"Cross Bones Style" is a song by the American rock musician Cat Power, also known as Chan Marshall. It is the 10th song on her fourth album, Moon Pix , released in September 1998 on Matador Records .
Marshall's releases as Cat Power have frequently been noted by critics for their somber, blues-influenced instrumentation and melancholy lyrics, leading LA Weekly to dub her the "queen of sadcore". [2] Marshall, however, claims that her music is often misinterpreted, and that many of her songs are "not sad, [but] triumphant". [96]
"Someday, Someway" was one of the first songs Marshall Crenshaw wrote, following "You're My Favorite Waste of Time" and some others. [5]The song was written while Crenshaw was in New York, where he had played John Lennon in the musical Beatlemania; he explained, "While I was [in New York], I wrote 'Someday, Someway' and five or six of the other tunes on my first album.
You Are Free is the sixth studio album by Cat Power, the stage name and eponymous band of the American singer-songwriter Chan Marshall. It was released in 2003 on Matador Records . The album features guest appearances by Dave Grohl of Foo Fighters , Eddie Vedder of Pearl Jam and Warren Ellis of the Dirty Three .
Upgrade to a faster, more secure version of a supported browser. It's free and it only takes a few moments:
"Nude as the News" is a song by the American singer/songwriter Cat Power (a.k.a. Chan Marshall). It is the fourth song on her 1996 album, What Would the Community Think.It was released as a single, and a music video shot entirely in black and white and directed by Brett Vapnek.
Marshall Howard Crenshaw (born November 11, 1953) is an American musician, singer, songwriter, and guitarist best known for hit songs such as "Someday, Someway", a US top 40 hit in 1982, "Cynical Girl", and "Whenever You're on My Mind". He is also the co-author of one of the biggest radio hits of the 1990s, Gin Blossoms's "Til I Hear It from You
"He War" exhibits clean, electric guitar power chords backed by a shuffling drum beat. High, chiming guitar notes provide a lead section alongside sprinkles of piano. An unrefined, double-track vocal harmony by Marshall carries throughout the entire song and builds into a bright, soaring chorus.