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Kitagawa Utamaro (Japanese: 喜多川 歌麿; c. 1753 – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated ...
Utamakura (歌まくら, "poem[s] of the pillow") is the title of a 12-print illustrated book of sexually explicit shunga pictures, published in 1788. The print designs are attributed to the Japanese ukiyo-e artist Kitagawa Utamaro, and the book's publication to Tsutaya Jūzaburō.
Kitagawa Utamaro (c. 1753 –1806) made his name in the 1790s with his bijin ōkubi-e ("large-headed pictures of beautiful women") portraits, focusing on the head and upper torso. [4] He experimented with line, colour, and printing techniques to bring out subtle differences in the features, expressions, and backdrops of subjects from a wide ...
Kitagawa Utamaro: Lovers in an upstairs room, from Uta makura ('Poem of the Pillow'), a colour woodblock print ; Artist: Kitagawa Utamaro (–1806) Alternative names:
Utamaro was the leading ukiyo-e artist in the 1790s in the bijin-ga genre of pictures of female beauties. He was known for his ōkubi-e, which focus on the heads. The three models in Three Beauties of the Present Day were frequent subjects of Utamaro's portraiture.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Fantasista Utamaro (born c. 1979, in Fuji, Shizuoka, Japan) is a Japanese artist, art director, illustrator, and graphic designer based in Brooklyn, New York. [1] He is considered to be one of the leading artists working in the Japanese pop art movement, whose work explores the concepts of celebration, culture, freedom, and unlimited possibilities through a pop culture lens.
) from the Portuguese word vidro meaning "glass". The toys were popular in Japan during the early 1790s, when Utamaro is believed to have designed this print. The print appears in two of Utamaro's print series, Fujin Sōgaku Jittai ("Ten Physiognomies of Women") and Fujo Ninsō Juppin ("Ten Classes of Women's Physiognomy"), but from the inscription in the upper right
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