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The music video was directed by Chuck Kuhn, and premiered on CMT on July 26, 1996, during "The CMT Delivery Room". It was the first video of his career where Chesney had a haircut. It shows Chesney singing the song on a front porch, as well as interacting with various people. The video was shot in the town of Colton, Washington.
The song reached No. 10 on the US Billboard Hot 100; the next year, their tune "If I Should Lose You" (on End Records) made it to No. 62. [2] The group remained active well into the 1960s. Their hit "When We Get Married" was covered by The Intruders in 1970 and by Larry Graham in 1980; "You Gave Me Somebody to Love" was a UK hit for Manfred Mann in
Monk's tune was originally called "Justice" (which sounds like "Just Us", a reference to "Just You, Just Me"), then renamed "We Named It Justice", and finally "Evidence". [2] Both songs are included on the CD reissue of Monk's 1964 live album, Live at the It Club. Cliff Edwards had a hit recording of the song in 1929. [4]
Just Me and You may refer to: Just Me and You; Just Me and You This page was last edited on 18 February 2020, at 22:06 ...
A clip of the video showed the band performing in a field in Uganda between shots of people doing their daily routines in Africa and a group of people watching the video band's previous music video for their song "Dance, Dance". The plot focuses on the lives of two children from Uganda who fall in love and work hard to be able to go to school.
Just You and Me may refer to: . Just You and Me (Herb Alpert album) (1976); Just You and Me (2010) "Just You 'n' Me", a 1973 song by James Pankow for Chicago, covered many others ...
"Just You 'n' Me" is a song written by James Pankow for the group Chicago and recorded for their fifth studio album Chicago VI (1973). The lead vocals are sung by bassist Peter Cetera . Background
Nick Levin of Digital Spy gave the song a positive review stating: . This breakthrough smash is indeed an almighty racket. But it is the very best kind of almighty racket, a swaggering synthesis of beats, power chords, stadium keyboard hooks, crowd noise and vocals from the lungularly-blessed Alana that sounds like the sort of thing David Haye might hear in his head as he struts into the ring.