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This is self-evident, in one sense, but “religious pictures” refers to more than just a certain range of subject matter; it means that the pictures existed to meet institutional ends. The Church commissioned artwork for three main reasons: The first was indoctrination, clear images were able to relay meaning to an uneducated person.
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This category contains Wikipedia images relating to the Seventh-day Adventist Church. It is intended for "fair use" images only, as "public domain" images ought to be uploaded to Wikimedia Commons and placed in commons:Category:Seventh-day Adventist Church. Or be moved to one of its subcategories. See WP:IMAGE for general image guidelines.
Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy .
The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity. In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
These themes are a rarity during the initial growth of the church. One of the few exceptions that strays from this category of Romantic art is a painting by William Armitage (1817–1890) of London. The painting depicts LDS founder Joseph Smith preaching to the Native Americans, and was commissioned by the church for the Salt Lake Temple .
Many of the longest running scholarly disputes over the date and origin of individual works relate to secular pieces, because they are so much rarer - the Anglo-Saxon Fuller Brooch was refused by the British Museum as an implausible fake, and small free-standing secular bronze sculptures are so rare that the date, origin and even authenticity ...
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