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The American Paint Horse is a breed of horse that combines both the conformational characteristics of a western stock horse with a pinto spotting pattern of white and dark coat colors. Developed from a base of spotted horses with Quarter Horse and Thoroughbred bloodlines, the American Paint Horse Association (APHA) breed registry is now one of ...
Yale Center for British Art: The White Horse: 1800s National Gallery of Art: Salisbury Cathedral from Lower Marsh Close: 1820 National Gallery of ArtAndrew W. Mellon collection: Cloud Study: Stormy Sunset: 1800s National Gallery of Art: A View on Hampstead Heath with Harrow in the Distance: 1822 Fine Arts Museums of San Francisco: Arundel Mill
The white on a pinto horse is generally asymmetric, unlike for example white added by the leopard complex. [2] The non-white area has the same colors in the same arrangements as one would see on a solid horse. Overall, the effect is as if a horse with a solid coat had white painted in patches over top.
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
The American Quarter Horse, or Quarter Horse, is an American breed of horse that excels at sprinting short distances. Its name is derived from its ability to outrun other horse breeds in races of 1 ⁄ 4 mi (0.40 km) or less; some have been clocked at speeds up to 44 mph (71 km/h). The development of the Quarter Horse traces to the 1600s.
Huffman, Christi L. "They Earned a Place" Quarter Horse Journal March 1998 p. 68-75; Jennings, Jim "1992 Hall of Fame inductees" Quarter Horse Journal May 1992 p. 66-69, 147; Rusk, Rebecca "It Happened in 1989" Quarter Horse Journal January 1990 p. 68-69; Wohlfarth, Jenny "'97 Brings Eleven" Quarter Horse Journal March 1997 p. 64-67
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The White Horse was one of Constable’s favourite paintings. He commented in a letter to Fisher in 1826: There are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest – this is mine. [9] In 1830, when Fisher was heavily indebted, he bought the painting back, also for 100 guineas. [10]
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