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Svarga Dvijasana (Bird of Paradise pose) is a bound variant of Utthita Padangusthasana II. Utthita Ekapadasana is a milder form of the same pose, the leg not lifted far enough for the toes to be grasped. Utthita Parshvasahita has the raised leg out to the side and the head turned away from the raised leg.
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
According to her experiences, some of the differences include: Pattabhi Jois originally left out seven postures in the standing sequence, but later assigned utthita hasta padangusthasana and ardha baddha padmottanasana before the intermediate series was given; utkatasana, virabhadrasana A and B, parivritta trikonasana, and parivritta ...
Parivritta Prasarita Padottanasana, the rotated variant of the pose. The rotated variant of the pose is Parivritta Prasarita Padottanasana. The position of the legs is unchanged, but the body is rotated so that one hand is on the floor, while the other arm, directly above that hand, is pointing straight upwards; the gaze is directed to the side or upwards.
The name comes from the Sanskrit words उत्तान uttāna, "intense stretch"; [2] and आसन; āsana, "posture" or "seat". [3]The pose is a modern one, first seen in the 20th century.
Historic halftone engraving of the pose from the cover of Yoga Sopana, 1905, the first modern illustrated book on yoga [4]. The name comes from the Sanskrit words ...
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In Uttanapadasana, meaning "feet up pose", the back rests on the floor and the legs point straight up, either against a wall, supported with a strap, or free. [ 2 ] In Urdhva Prasarita Padasana, the back is on the ground, the arms are stretched out on the floor above the head, and the legs are raised either partly or to the vertical.