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Antithesis (pl.: antitheses; Greek for "setting opposite", from ἀντι-"against" and θέσις "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect. [1] [2]
In 2017, the writer Alexandra Rowland proposed that the "opposite of grimdark" is "hopepunk", a trend that emphasizes what grimdark rejects: the importance of hope and the sense that ideals are worth fighting for despite adversity. [15] [16] The novelist Derek B. Miller defined hopepunk as "stories that free the soul from darkness. That ...
Agent regret is the idea that a person could be involved in a situation, and regret their involvement even if those actions were innocent, unintentional, or involuntary. [3] For example, if someone decides to die by stepping in front of a moving vehicle , the death is not the fault of the driver, but the driver may still regret that the person ...
Hypsos – great or worthy writing, sometimes called sublime; Longinus's theme in On the Sublime. Hysteron proteron – a rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word; the goal is to call attention to the more important idea by placing it first.
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An unpaired word is one that, according to the usual rules of the language, would appear to have a related word but does not. [1] Such words usually have a prefix or suffix that would imply that there is an antonym , with the prefix or suffix being absent or opposite.
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1] Some authors treat and use antiphrasis just as irony, euphemism or litotes. [2] When the antiphrasal use is very common, the word can become an auto-antonym, [3] having opposite meanings ...
Newitz views hopepunk as the opposite of apathy. [21] Lee Konstantinou, associate professor of English Literature at University of Maryland, College Park, is skeptical of the genre, saying "You can't just depict an imagined world ravaged by environmental disaster or war or oppression, and then sprinkle a little bit of hope at the end. Hope has ...