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Ward-Beck Systems commonly referred to as Ward-Beck or simply WBS, is a Canadian manufacturer of broadcast audio and video equipment.It was founded in a garage in April 1967 by Ron W. Ward and director of engineering, Rodger K. Beck. [1]
An analog VU meter with peak LED. A volume unit (VU) meter or standard volume indicator (SVI) is a device displaying a representation of the signal level in audio equipment.. The original design was proposed in the 1940 IRE paper, A New Standard Volume Indicator and Reference Level, written by experts from CBS, NBC, and Bell Telephone Laboratories. [1]
Rack with sample component sizes including an A/V half-rack unit. A rack unit (abbreviated U or RU) is a unit of measure defined as 1 + 3 ⁄ 4 inches (44.45 mm). [1] [2] It is most frequently used as a measurement of the overall height of 19-inch and 23-inch rack frames, as well as the height of equipment that mounts in these frames, whereby the height of the frame or equipment is expressed ...
The height of a rack can vary from a few inches, such as in a broadcast console, to a floor-mounted rack whose interior is 45 rack units (200.2 centimetres or 78.82 inches) high. 42U is a common configuration.
In analogue systems, alignment level in broadcast chains is commonly 0 dBu (0.775 volts RMS) and in professional audio is commonly 0 VU (4 dBu, 1.228 volts RMS). Under normal situations, the 0 VU reference allows for a headroom of 18 dB or more above the reference level without significant distortion.
The second amplifier released was the Phase Linear 400 with 200 watts per channel. It shared the same distinctive brushed aluminum, dual VU meters front panel style as the 700. It retailed for just under $500. [1] The next product was the Phase Linear 4000 Series Auto-correlation Pre-Amplifier introduced in 1973 and manufactured through 1978.
Loudness monitoring of programme levels is needed in radio and television broadcasting, as well as in audio post production.Traditional methods of measuring signal levels, such as the peak programme meter and VU meter, do not give the subjectively valid measure of loudness that many would argue is needed to optimise the listening experience when changing channels or swapping disks.
Broadcast engineers in North America usually line up their audio gear to nominal reference level of 0 dB on a VU meter aligned to +4 dBu or -20 dBFS, in Europe equating to roughly +4 dBm or -18 dBFS. Peak signal levels must not exceed the nominal level by more than +10 dB. [10]
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