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Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled “The Big 5,” five states which constitute the "Southern Network" in rap music.
Early song lyrics were entirely in Cajun French. Though songwriting in French is still common, today some Cajun music is sung in English with younger singers and audiences. Traditional Cajun instruments: tit-fer, Cajun accordion, and a fiddle. In earlier years, the fiddle was the predominant instrument. Usually two fiddles were common, one ...
Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
When bands like the Balfa Brothers, Octa Clark and Hector Duhon, and the black Creole band Bois-Sec Ardoin and Canray began to appear and perform at prestigious national folk festivals like the Newport Folk Festival, the University of Chicago Folk Festival, and the National Folklife Festival, they inspired renewed interest in Louisiana in Cajun ...
Swamp pop is a music genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas.Created in the 1950s by young Cajuns and Creoles, it combines New Orleans–style rhythm and blues, country and western, and traditional French Louisiana musical influences.
The song is told from the point of view of the "Cajun Queen" that drove John away – her search for him, then discovering about his death. The song follows the same format as "Big Bad John" except that the chorus intoning the title periodically is made up of male voices and is sung in a different key; unusually for "answer songs", the composer of the original - Jimmy Dean, in this case - is ...
Zydeco's rural beginnings and the prevailing economic conditions at its inception are reflected in the song titles, lyrics, and bluesy vocals. The music arose as a synthesis of traditional Creole music, some Cajun music influences, and African-American traditions, including R&B, blues, jazz, and gospel. It was also often just called French ...
"Tit Galop Pour Mamou" (English: either Canter to Mamou or Giddy-Yap to Mamou) is a Cajun folk song with words and music by Dewey Balfa. The tune behind Joe South's "Games People Play" resembles the tune of "Tit Galop Pour Mamou" to some extent. A recording of the song by Mamou Master was used on the soundtrack of the 1991 film Scorchers. [1]