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Popcorn ceiling texture. A popcorn ceiling, also known as a stipple ceiling or acoustic ceiling, is a ceiling with one of a variety of spray-on or paint-on treatments. [1] The bumpy surface is created by tiny particles of vermiculite or polystyrene, which gives the ceiling sound-deadening properties. Mixtures are available in fine, medium, and ...
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an early example of illusionistic ceiling painting. The art of Late Antiquity famously rejected illusionism for expressive force, a change already well underway by the time Christianity began to affect ...
Ceiling in the Louvre Palace. A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
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