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Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in ...
Its relatively low adoption in commercial speakers can mostly be attributed to the large resulting dimensions of the speaker produced and the expense of manufacturing a rigid tapering tube. The Voigt pipe was designed in 1934 by Paul G. A. H. Voigt and is also referred to as a tapered quarter-wave pipe (TQWP) or tapered quarter-wave tube (TQWT).
Some of these early 3-way models featured 10" and 12" woofers manufactured by Jensen ("Flex-Air") and CTS (Chicago Telephone Supply), 5" whizzer cone squawkers manufactured by Philips Electronics of the Netherlands, and 2" and 2.5" cone tweeters by Peerless of Denmark. [22]
A tiny coffeehouse may only need a single 10-inch subwoofer cabinet to augment the bass provided by the full-range speakers. A small bar may use one or two direct-radiating 15-inch (40 cm) subwoofer cabinets. A large dance club may have a row of four or five twin 18-inch (45 cm) subwoofer cabinets, or more.
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
Two-inch port tube installed in the top of a Polk S10 speaker cabinet as part of a DIY audio project. This port is flared. Unlike closed-box loudspeakers, which are nearly airtight, a bass reflex system has an opening called a port or vent cut into the cabinet, generally consisting of a pipe or duct (typically circular or rectangular cross section).
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