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For example, one could move the pitch of every note up by a perfect fifth, keeping the tempo the same. One can view this transposition as "pitch shifting", "shifting" each note up 7 keys on a piano keyboard, or adding a fixed amount on the Mel scale, or adding a fixed amount in linear pitch space. One can view the same transposition as ...
Beat Rush - where there are four ovals around the bottom of the screen with different keys. The user must press all of the keys at the precise beat in order to gain a "Perfect." Pressing all the keys at the correct beat will gain a Great, whilst pressing all keys at a bad beat or pressing a moderate number of keys at the correct beat will gain ...
The piano is an example of a velocity-sensitive keyboard instrument. The piano, being velocity-sensitive, responds to the speed of the key-press in how fast the hammers strike the strings, which in turn changes the tone and volume of the sound. Several piano predecessors, such as the harpsichord, were not
Piano simulation: A common feature of the digital piano, stage piano, and high-end workstations that allows real-time simulation of a sampled piano sound. It provides various piano-related effects, such as room reverberation, sympathetic resonance , piano lid position (as on a grand piano), and settings to adjust the tuning and overall sound ...
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The highest voice is the first voice or voice 1. The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all ...
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
This can include devices to create continuous sounds on the body of the piano, e.g. rubbing the surface of the piano with objects such as rubber balls, etc. flageolet: creating harmonics by touching overtone positions on the string with the finger of one hand and hitting the respective key with the other hand; use of the palms of the hands or ...