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Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
There are records of an 'Adam Pynkhurst' (as it is usually spelled) from 1355 to 1399–1401. The earliest is a property sale by Pinkhurst, his wife Joanna, and another married couple in Dorking and Betchworth, Surrey; this suggests that he was probably born sometime in the mid-1330s at the latest.
Robinson's main scholarly achievement was the publication, after 29 years of preparatory work, of the most influential edition of The Works of Geoffrey Chaucer (1933; second edition, 1957, published under slightly different titles). The 1987 Riverside Chaucer, while revised and re-edited by several colleagues, is greatly indebted to his work ...
Melibee, and Thopas before it, form a self-referential joke; Chaucer was already a well-known poet by the time he wrote The Canterbury Tales, but Chaucer-the-character's two submissions to Harry Bailly's contest are a doggerel poem and an inelegant prose tale, neither of which seem appropriate for a poet of Chaucer's skill and renown.
The House of Fame (Hous of Fame in the original spelling) is a Middle English poem by Geoffrey Chaucer, probably written between 1374 and 1385, making it one of his earlier works. [1] It was most likely written after The Book of the Duchess , but its chronological relation to Chaucer's other early poems is uncertain.
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Skeat is best known for his work in Middle English, and for his standard editions of Chaucer and William Langland's Piers Plowman. [7] Skeat was the founder and only president of the English Dialect Society from 1873 to 1896. [8] The society's purpose was to collect materials for the publication of The English Dialect Dictionary. The society ...
Meanwhile Francis Thynne, whose father William Thynne had published a 1532 edition of Chaucer, was preparing notes for a commentary on the poet's works. On the publication of Speght's edition, Thynne abandoned his project and criticised Speght's performance in a long manuscript letter of Animadversions addressed to Speght and dedicated to Sir Thomas Egerton.