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A Roman copy of a statue of Aphrodite Areia found in Epidaurus, with the original created by the Polykleitos school.. Aphrodite Areia (Ancient Greek: Ἀφροδίτη Ἀρεία) or "Aphrodite the Warlike" was a cult epithet of the Greek goddess Aphrodite, in which she was depicted in full armor like the war god Ares. [1]
Like Inanna-Ishtar, Aphrodite was also a warrior goddess; [36] [31] [39] the second-century AD Greek geographer Pausanias records that, in Sparta, Aphrodite was worshipped as Aphrodite Areia, which means "warlike". [40] [41] He also mentions that Aphrodite's most ancient cult statues in Sparta and on Cythera showed her bearing arms.
The Aphrodite of Rhodes (Greek: Αφροδίτη της Ρόδου) also known as the Crouching Venus of Rhodes is a marble sculpture of the Greek goddess Aphrodite housed in the Archaeological Museum of Rhodes in Rhodes, Greece.
A beauty deity is a god or (usually) goddess associated with the concept of beauty. Classic examples in the Western culture are the Greek goddess Aphrodite and her Roman counterpart, Venus. The following is a list of beauty deities across different cultures. For some deities, beauty is only one of several aspects they represent, or a lesser one.
The Group of Aphrodite, Pan and Eros (Greek: Αφροδίτη, Παν και Έρως) is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully.
Armed Aphrodite (Greek: Ένοπλη Αφροδίτη) is a first-century AD Roman marble sculpture depicting Aphrodite Areia, or the war-like aspect of the Greek goddess Aphrodite, who was more commonly worshipped as a goddess of beauty and love.
Aphrodite Hypolympidia (Ancient Greek: Ἀφροδίτη Ὑπολυμπιδία, romanized: Aphrodítē Hupolumpidía, lit. 'Aphrodite from below Mount Olympus ') is a second-century BC smaller than lifesize Greek marble sculpture depicting Aphrodite , the Greek goddess of beauty and desire.
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .