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Digital Compact Cassette (DCC), a magnetic tape sound recording format introduced by Philips and Matsushita in late 1992 and marketed as the successor to the standard analog Compact Cassette; NT (cassette), a small cassette tape created by Sony that was smaller than a Picocassette only used for dictation machines but had plans to be used in music
Frequency response and noise analysis of Nakamichi ZX Metal Particle Type IV cassette tape using the Nakamichi LX-5 three-head cassette deck. Pure metal particles have an inherent advantage over oxide particles due to 3–4 times higher remanence, very high coercivity and far smaller particle size, resulting in both higher MOL and SOL values.
The inside of an 8-track cartridge Analog, 1 ⁄ 4 inch wide tape, 3 + 3 ⁄ 4 in/s, endless-loop cartridge DC-International cassette system DC-International cassette Analog cassette format introduced by Grundig, Telefunken and Blaupunkt: 120 × 77 × 12 mm cassette with 1 ⁄ 4 inch wide tape run at 5.08 cm per second. 1966 PlayTape
The Kansas City Standard (KCS) was one of the few cassette formats that was standardized to any degree. It was created by a group of S-100 bus manufacturers at a meeting hosted by Byte Magazine in November 1975 in Kansas City. [3] KCS was a simple FSK system that recorded zeros as four cycles of a 1200 Hz tone and ones as eight cycles of 2400 Hz.
The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format. At that time, reel-to-reel recorders and players were commonly used by enthusiasts but required large individual reels and tapes which had to be ...
The Yamaha MT-100 Multi-track Cassette Recorder is an analog tape deck developed to record artists in the late 1980s. It was marketed just before the advent of Digital Audio Tape . It allowed the variable speed recording of 4 tracks of audio that could be mixed, merged and re-recorded onto standard cassette tapes .
It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [3] The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for ...
Equal to 8-track tape and Stereo-Pak, the tape runs at a standard speed of 3.75 inches per second (IPS). [5] This is double the speed of the Compact Cassette and half of the top speed of consumer reel-to-reel tape recorders, which usually offer both 3.75 IPS and 7.5 IPS speeds.
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