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Love and Pain is an 1895 painting by Edvard Munch; it has also been called Vampire, though not by Munch. [1] The painting depicts a man and woman embracing, with the woman kissing the man on his neck. Munch painted six different versions of the same subject between 1893 and 1895.
Edvard Munch was born in a farmhouse in the village of Ådalsbruk in Løten, Norway, to Laura Catherine Bjølstad and Christian Munch, the son of a priest.Christian was a doctor and medical officer who married Laura, a woman half his age, in 1861.
Death and the Child is a composition created by Edvard Munch in 1889. [1] [2] Since 1918 it is located in the Kunsthalle Bremen. It depicts a little girl at her mother’s deathbed who is looking at the viewer in a fearful manner. A second, thus far unknown painting of the artist was discovered underneath the canvas in 2005.
This is a complete list of paintings by Edvard Munch (12 December 1863 – 23 January 1944) [1] a Norwegian symbolist painter, printmaker and an important forerunner of expressionist art. His best-known composition, The Scream (1893), is part of a series The Frieze of Life, in which Munch explored the themes of love, fear, death, melancholia ...
The Kiss by the Window (or Kissing by the Window or simply The Kiss) is an 1892 oil-on-canvas painting by the Norwegian artist Edvard Munch, now in the National Gallery of Norway. [1] It forms part of his series known as The Frieze of Life, which treats the cycle of life, death and love and was produced between 1893 and 1918. [citation needed]
Anxiety (Norwegian: Angst) is an oil-on-canvas painting created by the expressionist artist Edvard Munch in 1894. It is now in the Munch Museum in Oslo, Norway. Many art critics [who?] feel that Anxiety is closely related to Munch's more famous piece, The Scream (1893). The faces show despair and the dark colors show a depressed state.
Summary. Description ... Edvard Munch; E. Munch; Munch; edv. munch; Eduard Munch ... Date of birth/death: 12 December 1863 : 23 January 1944 : Location of birth/death ...
Munch depicts himself as an unhappy, aging man who appears frozen and flattened. [1] Behind him is a bright room full of light and past paintings, but he has placed his current self between a clock and a bed, symbolising the inevitable passing of time and where he will eventually lie down for the final time.