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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (sharp, ♯) or a half-step lowering (flat, ♭). This is the most common way ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3] For example, using an Ionian (major scale) the root note would become the I major chord, the second note the ii minor chord, the third note the iii minor chord,
So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3. In the key of A major, an F major triad would be notated as ♭ 6.