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The Christian Year is a series of poems for all the Sundays and some other feasts of the liturgical year of the Church of England written by John Keble in 1827. The book is the source for several hymns. It was first published in 1827, and quickly became extremely popular.
The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
According to Watson Kirkconnell, the Christiad, "was one of the most famous poems of the Early Renaissance". Furthermore, according to Kirkconnell, Vida's, "description of the Council in Hell, addressed by Lucifer, in Book I", was, "a feature later to be copied", by Torquato Tasso , Abraham Cowley , and by John Milton in Paradise Lost .
This page was last edited on 8 December 2011, at 14:01 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Hymns and Spiritual Songs for the Fasts and Festivals of the Church of England, by Christopher Smart, was published in 1765, along with a translation of the Psalms of David and a new version of A Song to David. He wrote these poems while he was in a mental asylum and during the time he wrote Jubilate Agno.
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
In Winter I Wrote Love Poems; Hands; Old House; Old Mother; Grandfather Is Home from Seattle; He Died of Cystic Fibrosis at 24; Prayer in the ICU; Grandma in the Corner, Dying; O Hurried Guest; A Poem for Erin's First Christmas; Worlds Might Stumble; When; Of My Beloved Son; II - Apocalyptic Verses. Tin Men; On Another Road; If I Hadn't ...
Milton J. Bates interprets the poem as a "shocking version" of Santayana's argument in Interpretations of Poetry and Religion (1900) that poetry and religion are equally fictions of the human mind, simply reflecting the values of the human maker. [1]
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