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He was the magazine's television critic, [3] DVD critic and an editor-at-large until 2013, [4] except for one year (2005–06) as film critic at New York Magazine. Since 1982, Tucker has been a rock and pop music critic for the National Public Radio (NPR) talk show Fresh Air with Terry Gross. [2] [5]
While a student at Harvard he began his career as critic, working as assistant music critic at the Boston Herald. [ 2 ] He was music director of KPFA , the Berkeley radio station, and successively a music critic for publications including The New York Times , the New York Herald Tribune , New York magazine , Newsweek , California magazine, the ...
Bill Adler (born December 18, 1951) is an American music journalist and critic. Since the late 1960s, he has worked in the music business in a variety of capacities, including as a record store clerk, radio disc jockey, critic, publicist, biographer, record label executive, documentary filmmaker, museum consultant, art gallerist, curator, and archivist.
American music critic Michael Fremer praised the DVD, writing: "this superbly recorded and produced disc brilliantly captures the evening's performance and delivers it whole to your home theater. A first-class production in every way, James Taylor Live at the Beacon Theater sets the standard for how music DVDs should be recorded and produced." [6]
Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
As New York magazine celebrates 50 years of publication, we're looking back at the publication's most iconic celebrity moments.
The New York Times noted its dedication to coverage of indie music releases, with each issue containing "hundreds" of reviews: "not all rock by any means, but it's hard to imagine the existence of Option before punk rock." [7] The magazine used 40-50 unpaid reviewers at a time, few of whom were professional critics. [1]
A 1971 graduate of the Eastman School of Music in Rochester, N.Y., Walsh began his journalism career as a reporter and later music critic in 1972 at the Rochester Democrat and Chronicle in upstate New York. He was named chief classical music critic of the San Francisco Examiner in November 1977, where in 1980 he won an ASCAP-Deems Taylor Award ...
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