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  2. Franciscan Ceramics - Wikipedia

    en.wikipedia.org/wiki/Franciscan_Ceramics

    The dinnerware design team designed the Madeira line of patterns, an innovative studio potter shape dinnerware. One of the companies top selling pattern on the Madeira shape designed by Rupert J. Deese was the pattern Madeira designed by Jerry Rothman with a dark glaze developed by Kathy Takemoto. The company also introduced a new fine china shape.

  3. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.

  4. This Cozy Colonial Looks Straight Out of a Nancy Meyers ...

    www.aol.com/lifestyle/cozy-colonial-looks...

    The entry introduces pattern-on-pattern whimsy with checkerboard tile flooring (London Mosaic), a trellis-patterned wallcovering , and a Jean Monro chintz covering an antique bench. Kitchen Reid ...

  5. Marquetry - Wikipedia

    en.wikipedia.org/wiki/Marquetry

    Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...

  6. Tableware - Wikipedia

    en.wikipedia.org/wiki/Tableware

    Historic pewter, faience and glass tableware. In recent centuries, flatware is commonly made of ceramic materials such as earthenware, stoneware, bone china or porcelain.The popularity of ceramics is at least partially due to the use of glazes as these ensure the ware is impermeable, reduce the adherence of pollutants and ease washing.

  7. Art Nouveau - Wikipedia

    en.wikipedia.org/wiki/Art_Nouveau

    It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewellery and metal work. The style responded to leading 19th century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900).

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