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Michelangelo di Lodovico Buonarroti Simoni was born on 6 March 1475 [c] in Caprese, known today as Caprese Michelangelo, a small town situated in Valtiberina, [10] near Arezzo, Tuscany. [11] For several generations, his family had been small-scale bankers in Florence ; but the bank failed, and his father Ludovico briefly took a government post ...
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry.
Florence remained an important Renaissance city, and masterpieces of art continued to be made in the Tuscan capital during this period, such as the David, the sepulchres of the Medici Chapels, Cellini's Perseus, etc. The representative artist of this period is Michelangelo, a character of great strength and personality.
According to Giorgio Vasari, shortly after the installation of his Pietà, Michelangelo overheard someone remark (or asked visitors about the sculptor) that it was the work of another sculptor, Cristoforo Solari, whereupon Michelangelo signed the sculpture. [11] Michelangelo carved the words on the sash running across Mary's chest.
Sculptures by Michelangelo. Subcategories. This category has only the following subcategory. * Sculptures attributed to Michelangelo (1 P) Pages in category ...
Michelangelo (1475−1564) — renowned Italian Renaissance architect, artist, painter, and sculptor. Subcategories ... Michelangelo Buonarroti the Younger; C.
This and the Battle of the Centaurs were Michelangelo's first two sculptures. The first reference to the Madonna of the Stairs as a work by Michelangelo was in the 1568 edition of Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects. [1] The sculpture is exhibited at the Casa Buonarroti in Florence, Italy.
Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. [1] The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put.