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A multi-scale fingerboard (also called multiple scale length fretboard [1]) is an instrument fretboard which incorporates multiple scale lengths. This allows each of the strings to have a different string tension and thus, balanced tonal characteristics. [2] The lowest string with the longest length can be strung at a higher tension compared to ...
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Chords that may be derived from the B Hungarian minor scale are Bm(maj7), C ♯ 7 ♭ 5, Dmaj7 ♯ 5, E ♯ 6sus2 ♭ 5, F ♯ maj7, Gmaj7, G7, A ♯ m6 and more. This scale is obtainable from the double harmonic scale by starting from the fourth degree of that scale, so the C Hungarian minor scale is equivalent to the G double harmonic scale. [7]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Terz guitar (Terz meaning third) refers to either a small sized classical guitar or to the practice of tuning a standard guitar a minor third higher than standard guitar tuning (as though a capo were on the third fret of the guitar). The scale length is generally 530 mm (20.8 inches), though sometimes as long as 560 mm (22 inches).
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
The scale originated in Nicolas Slonimsky's book Thesaurus of Scales and Melodic Patterns through the "equal division of one octave into two parts," creating a tritone, and the "interpolation of two notes," adding two consequent semitones after the two resulting notes. [15] The scale is the fifth mode of Messiaen's list.
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