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Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too ...
The Infant The Schoolboy The Lover The Seven Ages of Man is a series of paintings by Robert Smirke, derived from the famous monologue beginning all the world's a stage from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The stages referred are: infant, schoolboy, lover, soldier, justice, pantaloon and old age. The set of paintings are in pen and ink ...
Time Out thought that the "… wonder is that they bothered to put film in the camera, for sadly this is Shakespeare sans teeth, eyes, taste, sans everything." [13] Derek Elley in Variety characterised it as a "British low-budgeter, mostly shot on drab exteriors, [that] will be limited to literary students and the very dedicated, given careful ...
These tiny creatures also have 16 eyes, and specimens measured between about 0.02 inches and 0.03 inches, according to experts. They have 18 “strong and erect” spines on the top of their head ...
It has everything you need to know about caring for these breeds. ... The teeth, eyes, and respiratory system are most commonly affected. 25. British Shorthair. British blue shorthair cat.
"Focus on the first three bites and notice the taste, texture, and smell. After the third bite, the flavor and excitement start to diminish." ... exhale slowly through your mouth for a count of ...
Barbara Robb (née Anne, 15 April 1912 – 21 June 1976) was a British campaigner for the well-being of older people, best known for founding and leading the pressure group AEGIS (Aid for the Elderly in Government Institutions) and for the book Sans Everything: A Case to Answer.
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.