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Romero is a 1989 biographical film depicting the story of Salvadoran archbishop Óscar Romero, who organized peaceful protests against the violent military regime, eventually at the cost of his own life. [3]
George A. Romero in 2007. George A. Romero (1940–2017) was an American-Canadian film director, writer, editor and cinematographer. He contributed to many projects as either the writer, director, editor, cinematographer or a combination of the four. Romero's first project was the 1968 horror film Night of the Living Dead, which he produced ...
George Andrew Romero Jr. (/ r ə ˈ m ɛər oʊ /; February 4, 1940 – July 16, 2017) was an American-Canadian film director, writer, editor and actor.His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture.
Martin (also known internationally as Wampyr) is a 1977 [2] American horror film written and directed by George A. Romero, and starring John Amplas.Its plot follows a troubled young man who believes himself to be a vampire with ambiguous legitimacy. [3]
It’s not just studio horror movies dominating the box office this year. In addition to the well-known and much-publicized hits like Smile 2, the sequel to one of the most profitable movies of ...
Land of the Dead (also known as George A. Romero's Land of the Dead) is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead and Survival of the Dead. [4]
Cillian Murphy revealed that when he landed his breakthrough role in “28 Days Later,” the actor didn’t consider it a zombie movie. Murphy, a first-time Oscar nominee for his work in ...
It is the best movie of 1981 so far." [7] Tony Williams, in his book The Cinema of George A. Romero, said "Knightriders is a highly personal and sincere film revealing Romero's Utopian ideals in a cinematically allegorical
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