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Lustreware. Lustreware or lusterware (the respective spellings for British English and American English) is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction ...
Iran, 16th century (Metropolitan Museum of Art) Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants. [1] Glazing renders earthenware impermeable to water, sealing the inherent porosity of earthenware.
Vitreous enamel. Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning "glassy".
Copper naphthenate is commonly prepared by treatment of naphthenic acid with copper (II) compounds such as basic copper carbonate or copper hydroxide. [1] Even copper (II) sulfate can be treated with sodium or potassium naphthenate in aqueous solutions. The reaction of copper metal with naphthenic acid, which has been used commercially ...
Copper plating or copper sheathing is the practice of covering wood, most commonly wooden hulls of ships, with copper metal. As metallic copper is both repellent and toxic to fungus, insects such as termites, and marine bi-valves this would preserve the wood and also act as an anti-fouling measure to prevent aquatic life from attaching to the ...
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
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Initially blue from cobalt was almost the only pigment that could withstand the high temperature of a porcelain firing without discolouring, but gradually (mostly during the Ming period) others were found, or the extra cost of a second firing at a lower temperature to fix overglaze enamels was accepted. Copper-reds could produce highly ...
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