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"Deportee (Plane Wreck at Los Gatos)" is a protest song with lyrics by Woody Guthrie and music by Martin Hoffman detailing the January 28, 1948 crash of a plane near Los Gatos Canyon, [1] 20 miles (32 km) west of Coalinga in Fresno County, California, United States.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
"Tab Composer CPC" was implemented in Locomotive BASIC 1.0. It offered a multi-page graphical WYSIWYG, 3-channel polyphonic playback and volume and tone envelope functionality, as well as save and load. BASIC programs could be generated for direct playback without the program as well, facilitating easy integration of the created musical content ...
The tracks on this album expresses a series of angst-ridden themes based on both the vibe and lyrical content of the songs.Bryan Sammis explained to Coup De Main magazine: "I think that at least in terms of the musical aspect of it, all of us try and get our own emotions out through our instruments, which is not always the easiest thing to do.
Wiped Out! is the second studio album by American rock band The Neighbourhood.It was released on October 30, 2015, through Columbia Records. [2] Production was mostly handled by 4e and Justyn Pilbrow, features production from Benny Blanco, with executive production from The Neighbourhood and Kirk Harding.
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The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
His "Louie Louie" guitar break has been called "iconic", [147] "blistering", [148] and "one of the most famous guitar solos of all time". [149] Guitar Player magazine noted, "Raw, lightning-fast, and loud, the solo's unbridled energy helped make the song a No. 2 pop hit, but also helped set the template for garage-rock – and later hard-rock ...