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Contes et nouvelles en vers (English: Tales and Novellas in Verse) is an anthology of various ribald short stories and novellas collected and versified from prose by Jean de La Fontaine. Claude Barbin of Paris published the collection in 1665.
Joconde is the central database created in 1975 and now available online, maintained by the French Ministry of Culture, for objects in the collections of the main French public and private museums listed as Musées de France, according to article L. 441-1 of the Code du patrimoine [3] amounting to more than 1,200 institutions. [4]
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
Title page of the grimoire The True Black Magic (La véritable magie noire). The True Black Magic (French: La véritable magie noire), also known as The secret of secrets, is a pseudepigraphical grimoire or book of spells attributed to King Solomon. [1] It probably dates back to the 14th or 15th century 🪄
[141] [142] Jean Metzinger's Le goûter (Tea Time) was exhibited at the 1911 Salon d'Automne and was sarcastically described as "la Joconde à la cuiller" (Mona Lisa with a spoon) by art critic Louis Vauxcelles on the front page of Gil Blas. [143] André Salmon subsequently described the painting as "The Mona Lisa of Cubism". [144] [145]
Société des anciens textes français (SATF) is a text publication society founded in Paris in 1875 with the purpose of publishing all kinds of medieval documents written either in langue d'oïl or langue d'oc (Bulletin de la SATF, 1 (1875), p. 1).
The creation of L.H.O.O.Q. profoundly transformed the perception of La Joconde (what the French call the painting, in contrast with the Americans and Germans, who call it the Mona Lisa). In 1919 the cult of Jocondisme was practically a secular religion of the French bourgeoisie and an important part of their self image as patrons of the arts.
On 22 August 1911, Béroud came to The Louvre to sketch his painting Mona Lisa au Louvre but where the famous La Joconde, by Leonardo da Vinci, should have stood, he found four iron pegs. Béroud contacted the section head of the guards, who thought the painting was being photographed for marketing purposes.