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Ancient Chinese glass refers to all types of glass manufactured in China prior to the Qing dynasty (1644–1911). In Chinese history, glass played a peripheral role in arts and crafts, when compared to ceramics and metal work. [1] The limited archaeological distribution and use of glass objects are evidence of the rarity of the material.
Made in China or Made in PRC is a country of origin label, often in English, affixed to products wholly or partially made in the People's Republic of China (PRC). The label became prominent in the 1990s, when foreign companies based in the United States, Europe, and Asia moved their manufacturing operations to China due to China's low ...
Increasingly over their long history, Chinese ceramics can be classified between those made for the imperial court to use or distribute, those made for a discriminating Chinese market, and those for popular Chinese markets or for export. Some types of wares were also made only or mainly for special uses such as burial in tombs, or for use on ...
Stanley lit 23 businesses along a 4000 feet length of main street stepping a 500 AC volt current at the street down to 100 volts to power incandescent lamps at each location. [8] 1893 GE introduces first commercial fully enclosed carbon arc lamp. Sealed in glass globes, it lasts 100h and therefore 10 times longer than hitherto carbon arc lamps ...
Plate from the Harewood House botanical dessert service, probably 1830s-1840s. Coalport, Shropshire, England was a centre of porcelain and pottery production between about 1795 ("inaccurately" claimed as 1750 by the company) [1] and 1926, with the Coalport porcelain brand continuing to be used up to the present.
A touch-sensitive lamp is a combination of a lamp and a touch switch. They act on the principle of body capacitance, activated by human touch rather than a flip, push-button, or other mechanical switch. They are popular as desk and nightstand lamps. Touch-sensitive lamp switches may be dimmable, allowing the brightness of the lamp to be ...
In 1942, [6] after three years of experimentation, Gladding, McBean & Co. entered the fine china market with 14 patterns. The china was considered to have a medium to high cost. [7] The glaze for the fine china line was developed by Max Compton with the shapes and patterns designed by Mary K. Grant, the design staff, and by contract designers.
Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
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