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The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. [1] The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical ...
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Media in category "Animals in art" This category contains only the following file. Faroe Coat of arms 3.png 294 × 293; 12 KB
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
Its divine aspect combined with its habitat in the earth between the roots of plants made it an animal with chthonic properties connected to the afterlife and immortality. The deified Greek physician Asclepius , as god of medicine and healing, carried a staff with one serpent wrapped around it, which has become the symbol of modern medicine.
Composite art depicts a figure composed in whole or part of different creatures, including human beings, animals, birds, reptiles, insects, or dinosaurs such as Brontosaurus. [3] The origin of the style is unknown and debated by scholars. [4] Composite art has a history in two prominent traditions – Hindu and Mughal.
They show, therefore, examples of all the then known animals, that is, whether by legend or experience. The bestiaries , developed in the twelfth century, are fully illustrated in the cathedrals in the stone carving of the capitals , the parapets , and the tops of the buttresses , and in the woodwork of the stalls .