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Cubist sculpture developed in parallel with Cubist painting, beginning in Paris around 1909 with its proto-Cubist phase, and evolving through the early 1920s. Just as Cubist painting, Cubist sculpture is rooted in Paul Cézanne's reduction of painted objects into component planes and geometric solids; cubes, spheres, cylinders, and cones ...
Paul Cézanne, 1888, Mardi gras (Pierot and Harlequin), oil on canvas, 102 cm × 81 cm (40 in × 32 in), Pushkin Museum, Moscow. Several predominant factors mobilized the shift from a more representational art form to one that would become increasingly abstract; one of the most important would be found directly within the works of Paul Cézanne and exemplified in a widely discussed letter ...
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
The building is now owned by the Tourist Office of Aix-en-Provence. In Cézanne's former studio there is his work equipment, the models of his final still life paintings and his furniture; there are some watercolours and drawings by the artist. Temporary exhibitions are held, and cultural events take place.
Cézanne painted many scenes of bathers in his life, including Three Bathers c.1875 (private collection) and another version of the Three Bathers (1876-1877), which is on view at the Barnes Foundation in Philadelphia. [5] [6] The artist Henry Moore was inspired to recreate Three Bathers as a bronze sculpture in 1978. [7]
House in Provence (French title: Maison devant la Sainte-Victoire près de Gardanne) is an oil painting by French artist Paul Cézanne. Created between 1886 and 1890, [ 1 ] as of 2012 [update] it is part of the permanent collection in the Indianapolis Museum of Art .
Cézanne was one of a trio with Vincent van Gogh and Paul Gauguin that were underappreciated in their time but who would have an incalculable effect on the art of the twentieth century, providing an inspiration for artists such as Pablo Picasso and Henri Matisse. Picasso would go so far as to call Cézanne "The father of us all". [1]
Cézanne's Mont Sainte-Victoire paintings during this period generally displayed an extended profile of the mountain dominating the familiar valley. [2] In some, a railroad bed cuts across the fields, with the arched viaduct crossing the middle ground. Houses and farm buildings dot the landscape.