Search results
Results from the WOW.Com Content Network
Images on pottery show that chariot racing existed in thirteenth century BC Mycenaean Greece. [a] The first literary reference to a chariot race is in Homer's poetic account of the funeral games for Patroclus, in the Iliad, combining practices from the author's own time (c. 8th century) with accounts based on a legendary past.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Gaius Appuleius Diocles (104 – after 146 AD) was a Roman charioteer. His existence and career are attested by two highly detailed contemporary inscriptions, used by modern historians to help reconstruct the likely conduct and techniques of chariot racing. He has been described in some modern sources as the highest-paid athlete of all time. [1]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The Roman organization was also much more interested in economic aspects: the runners were professionals and a huge betting round was widespread among the public. The chariots in the race could be drawn by four horses or two horses , but races among those with four horses were more important. In some rare cases, when a charioteer wanted to ...
IN FOCUS: It is 100 years since Eric Liddell won gold in the Paris 1924 games, but it was the athlete’s little-known life after the historic win that really intrigued biographer Duncan Hamilton.
Martial, a Roman poet, refers to Scorpus twice in Book X of his Epigrams, composed between 95 and 98 AD: [1] Oh! sad misfortune! that you, Scorpus, should be cut off in the flower of your youth, and be called so prematurely to harness the dusky steeds of Pluto. The chariot-race was always shortened by your rapid driving; but O why should your ...
The Chariot of Death is a large allegorical painting by Théophile Schuler. It was gifted to the Unterlinden Museum by the artist in 1862. Its inventory number is 88.RP.454. [2] The painting is considered one of the most emblematic of the collection (which includes the world-famous Isenheim Altarpiece).