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In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
Chigiri-e (ちぎり絵) is a Japanese art form in which the primary technique uses coloured paper that is torn to create images, and may resemble a water colour painting. The technique dates from the Heian period of Japanese history when it was often used in conjunction with calligraphy. Handmade paper is essential for the creation of chigiri ...
Shoji are not made with rice paper, though this is commonly asserted outside of Japan, [5] possibly simply because "rice paper" sounds oriental. [ 7 ] Paper on shoji is traditionally renewed annually; glue lines are soaked, and the paper peeled away.
This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art form of its own. The gyotaku method of printmaking uses fish, sea creatures, or similar subjects as its "printing plates". Prints are made using sumi ink and washi paper.
Unlike ofuda, which bear the name of the shrine, senjafuda bear the name of the worshipper, and can be purchased pre-printed with common names at temples and shrines throughout Japan, as well as at stationery stores and video game centres. Senjafuda were originally made from wooden slats, but have been made of paper since the Edo period.
Origami paper used for senbazuru is usually of a solid color, though patterned designs are available. Larger size origami paper, usually 6×6 inches, often has traditional Japanese or flower designs, reminiscent of kimono patterns.
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