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"De Camptown Races" or "Gwine to Run All Night" (nowadays popularly known as "Camptown Races") is a folk song by American Romantic composer Stephen Foster. It was published in February 1850 by F. D. Benteen and was introduced to the American mainstream by Christy's Minstrels , eventually becoming one of the most popular folk/ Americana tunes of ...
Conductor Andre Kostelanetz commissioned Copland to write a musical portrait of an "eminent American" for the New York Philharmonic.Copland chose President Abraham Lincoln, and used material from speeches and letters of Lincoln, as well as original folk songs of the period, including "Camptown Races" and "On Springfield Mountain". [1]
Singing the New Nation: How Music Shaped the Confederacy, 1861-1865. Mechanicsburg, Pennsylvania: Stackpole Books. Cockrell, Dale (1997). Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge University Press. Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford University Press.
Millets Music Saloon "Once I Loved Thee Mary Dear" 1851: Firth, Pond & Co. William Cullen Crookshank "Onward and Upward!" 1863: Horace Waters: George Cooper "Open Thy Lattice Love" 1844: George Willig: George P. Morris "Our Bright Summer Days Are Gone" or "Our Bright Bright Summer Days Are Gone" 1861: John J. Daly "Our Willie Dear Is Dying ...
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
The first appearance of "She'll Be Comin' Round the Mountain" in print was in Carl Sandburg's The American Songbag in 1927. Sandburg reports that the Negro spiritual "When the Chariot Comes", which was sung to the same melody, was adapted by railroad workers in the Midwestern United States during the 1890s. [ 1 ]
Aside from the songs Amanda makes up, she explains them a lot. Take Camptown Ladies which goes, "Camptown ladies sing this song, doo dah, doo dah, Camptown races five miles long, o doo dah day. Gwana run all night, gwana run all day, bet my money on a bob tail nag, somebody bet on the bay."
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