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He suggested using the straw to create sculptures of animals supported by a wooden frame. This straw art is called in Japan, wara art, “wara” meaning rice straw. Since 2007, there have been annual festivals of wara art in Niigata prefecture, Nishikan-ku ward. Some of the Wara art statues have been as high as 9 metres tall, but they are ...
This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art form of its own. The gyotaku method of printmaking uses fish, sea creatures, or similar subjects as its "printing plates". Prints are made using sumi ink and washi paper.
Tambo art in Yonezawa, Yamagata. In 1993, the people of Inakadate, in Aomori Prefecture, were looking for a way to revitalize their village. Archaeological exploration led to a realization that rice had been grown in the area for more than 2000 years. [3] To honor this history, the villagers started a rice field behind the town hall.
Li Hongbo (Chinese: 李洪波; pinyin: Li Hongbo) is a Chinese artist born in Jilin in 1974. He earned his Bachelor of Fine Arts degree from Jilin Normal University in 1996, Master of Fine Arts (MFA) degree in Folk Art in 2001, MFA degree in Experimental Art in 2010, both from the Central Academy of Fine Arts in Beijing.
Common rendering materials include rice paper, charcoal, wax, graphite or inksticks. Over time, the practice of stone rubbing can cause permanent damage to cultural monuments due to abrasion. [citation needed] For an artist, stone rubbings can become an entire body of creative work that is framed and displayed.
Bulul, also known as bu-lul or tinagtaggu, is a carved wooden figure used to guard the rice crop by the Ifugao (and their sub-tribe Kalanguya) people of northern Luzon. The sculptures are highly stylized representations of ancestors and are thought to gain power and wealth from the presence of the ancestral spirit. [ 1 ]
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