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"Get Off" is a song by American disco band Foxy, released in 1978. The background vocals were performed by Wildflower. The background vocals were performed by Wildflower. Released from their LP of the same name, [ 2 ] the song became a crossover hit.
"Out of Work" is a 1982 song by American singer Gary U.S. Bonds, from his album On the Line. The song was written by Bruce Springsteen [ 1 ] and became a moderate hit in the United States. In 2020, Bonds released an online version of the song tailored to the COVID-19 pandemic .
The song also made history on Country Digital Songs, moving 189,000 downloads during the tracking week ending July 22, marking the biggest opening week by a male artist. [8] On the country chart dated October 6, 2012, "Take a Little Ride" became his eighth number-one single. The song has sold over a million digital downloads as of January 2013. [9]
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
The song has been recorded by Rod Stewart on two 1993 albums, Lead Vocalist and Unplugged...and Seated under the title "Tom Traubert's Blues (Waltzing Matilda)". The album's closing song, "I Can't Wait to Get Off Work (And See My Baby on Montgomery Avenue)", has a simple musical arrangement, boasting only Waits' voice and piano, with bass by ...
The Chad Mitchell Trio song "Super Skier", written by Bob Gibson, used the tune and although its lyrics have nothing to do with subways, ends with a call to "get Charlie off the MTA". Boston-based punk rock band Dropkick Murphys wrote a variation, Skinhead on the MBTA , with a skinhead in place of Charlie, on their 1998 album Do or Die .
"This is a list of songs about getting so caught up in the idea of something that you have a hard time seeing the red flags, possibly resulting in moments of denial and maybe a little bit of delusion.
"Work from Home" is a song recorded by American girl group Fifth Harmony, featuring American singer Ty Dolla Sign. [2] The song impacted contemporary hit radio four days after its initial release on March 1, 2016, and was released as the lead single from the group's second studio album, 7/27 (2016). [3] "