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The number 9 is also considered unlucky; when pronounced ku, it is a homophone for suffering (苦). The number 13 is sometimes considered unlucky, though this is a carryover from Western tradition. In contrast, 7 and sometimes 8 are considered lucky in Japanese. [2] In modern Japanese, cardinal numbers except 4 and 7 are generally given the on ...
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. [1] Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. [2]
A suanpan (top) and a soroban (bottom). The two abaci seen here are of standard size and have thirteen rods each. Another variant of soroban. The soroban is composed of an odd number of columns or rods, each having beads: one separate bead having a value of five, called go-dama (五玉, ごだま, "five-bead") and four beads each having a value of one, called ichi-dama (一玉, いちだま ...
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
Pages in category "Japanese calligraphy" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. ...
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Nakajima Hiroyuki (中嶋宏行, born February 17, 1956) is a contemporary Japanese artist and calligrapher from Chiba, Japan.He is best known for his modern interpretation of Japanese calligraphy (shodo) which he calls Sho art, a technique which combines the traditional elements of Japanese calligraphy (shodo) with the movements of tai chi and inspired by the symbols of zen and nature. [1]