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[12] [15] Black and White has both order and chaos, expressed through the story, illustrations, and design of the book. [12] The chaos of the story increases, reaching its climax when the only colors used are black on white on a page, before order is restored at the end of the stories and at the end of the book. [16]
These images are not really acceptable under the "replaceable" clause of our fair use policy, [1] since the books' original covers, title pages, etc. would be free. The list below includes articles that rely on such illustrations unnecessarily, and, where they've been found, links to images that could replace those illustrations.
Non-free but fair use book covers belong on Wikipedia, and can be found in Category:Non-free images of book covers. All non-free content should comply with Wikipedia's non-free content criteria policy. First edition covers are preferred. If a first edition public domain image of the book cover exists, it should be used instead of the non-free ...
Illustrations were used as advertisement's in booksellers windows. [2] During the 19th century, the use of photomechanical techniques decreased the cost of reproducing illustrations. Both colour and black and white illustrations were increasingly used in daily, weekly, and monthly publications.
Tolkien's illustrations contributed to the effectiveness of his writings, though much of his oeuvre remained unpublished in his lifetime. However, the first British edition of The Hobbit in 1937 was published with ten of his black-and-white drawings. [1] In addition, it had as its frontispiece Tolkien's drawing The Hill: Hobbiton-across-the-Water.
Although acknowledged as an accomplished black-and-white book illustrator for some years, it was the publication of his full-colour plates to Washington Irving's Rip Van Winkle by Heinemann in 1905 that particularly brought him into public attention, his reputation being confirmed the following year with J.M.Barrie's Peter Pan in Kensington ...
Later books include The Rubaiyat of Omar Khayyam, first published in 1913 and in many subsequent editions. Here, among many fanciful and beautiful black-and-white drawings, he used images of skeletons and animated pots. One such skeleton image was appropriated by Stanley Mouse and Alton Kelley for a Grateful Dead poster in 1966, and album cover ...
He first took black-and-white illustrations to a publisher in 1990, assuming a story would be written by someone else to go with his images. He was, however, instructed to write the story himself and re-do his illustrations in colour. His first picture book was published in 1991, Ethel the Chicken. [2] As of 2015, he has had over 70 books ...
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