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Martin Brothers "Bird", 1896; with wood base, 20 1/4 in., 51.4 cm high, weight of pottery 15 lb The four Martin Brothers were pottery manufacturers in London from 1873 to 1914. In their own day their Martinware was described as art pottery , and they were one of the earliest potteries making this, but in modern terms they fit better into the ...
The pottery and tile production was one part of the Bacher family's White Cloud Farms business corporation which also produced apples, poultry, and livestock.The pottery was an important manufacturer of decorative American art pottery and tiles, marketed nationally by influential wholesalers, in New York City by art galleries, and locally at ...
Evans, Paul. (1987) Art pottery of the United States: An encyclopedia of producers and their marks, together with a directory of studio potters working in the United States through 1960. New York, N.Y: Feingold & Lewis Pub. Corp. ISBN 0-9619577-0-0; Greenberg, Clement et al., Garth Clark Ed.
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Martin said the New York City Marathon, an annual day of pride for New Yorkers, is unique. “New York is very scenic,” he said. “There’s a lot of energy to it.
Nicholson, Nick & Marilyn Nicholson. "Kenton Hills Pottery: An Artistic Success but a Wartime Casualty" Journal of the American Art Pottery Association 12:10 (September/October 1996): 6–11. Payne, Warren & Julie Payne. Clear As Mud: Early 20th Century Kentucky Art Pottery (Paris, KY: Cane Ridge Publishing House), 2010. ISBN 0-6153-1093-1
An exhibition of early American pottery in 1931 presented a “Commeraw Stoneware Jug.” [2] Although the catalogue did not yet reflect the erroneous spelling of “Commereau” that would become popular with later pottery catalogues, such as Ketchum's important record of New York potters, it also did not mention the ethnicity of Commeraw, leaving the reader to assume that he was an American ...
Davis Collamore & Co. was a high-end New York City importer of porcelain and glass, headed by Davis Collamore (7 October 1820 — 13 August 1887 [1]).The firm, rivals to Tiffany & Co. and Black, Starr & Frost, commissioned designs from Copeland Spode and Thomas Minton Sons, that featured hand-painted details over transfer-printed outlines and often rich gilding.