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Bobbye Hall, percussion — one of the few female session musicians [3] Bobby Keys, saxophone [5] Carol Kaye, bass guitar — one of the few female session musicians [3] David Sanborn, saxophone [3] Earl Palmer, drums; Fred Lonberg-Holm, cello [4] Geraint Watkins, accordion, piano [6] Hal Blaine, drums; Jay Graydon, guitar [4]
Goodman moved to New York City and became a session musician for radio, Broadway musicals, and in studios. [13] In addition to clarinet, he sometimes played alto saxophone and baritone saxophone. [11] His first recording pressed to disc (Victor 20394) occurred on December 9, 1926, in Chicago.
The Wrecking Crew, also known as the Clique and the First Call Gang, was a loose collective of American session musicians based in Los Angeles who played on many studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized at the time, but were viewed with reverence by industry insiders.
A session musician (also known as studio musician or backing musician) is a musician hired to perform in a recording session or a live performance. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ...
A. Don Abney; Arthur Adams (singer) Alex Feather Akimov; Tariqh Akoni; Don Alias; Davie Allan; Richard Allen (drummer) Jerry Allison; Duane Allman; Santiago Almeida
He enjoyed touring for several years with Ray Price as fiddler in Price's band, the Cherokee Cowboys. Spicher became a Nashville-based session musician, backing the likes of Bob Dylan. [4] He was also one of the band members of Area Code 615 with other Nashville sessions musicians and Asleep at the Wheel.
The Nashville A-Team was a nickname given to a group of session musicians in Nashville, Tennessee, who earned wide acclaim in the 1950s, 1960s, and early 1970s, similar to their West Coast counterpart who became known (after the fact) as the Wrecking Crew. Some members of the Nashville A-Team were also subsequently or previously members of the ...
Morris "Moe" Koffman, OC (28 December 1928 – 28 March 2001) was a Canadian jazz saxophonist and flautist, as well as composer and arranger. During a career spanning from the 1950s into the 2000s, Koffman was one of Canada's most prolific musicians, working variously in clubs and sessions and releasing 30 albums. [1]