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Florence Leontine Mary Welch [1] (born 28 August 1986) [2] [3] is an English singer and songwriter. She is the lead vocalist and primary songwriter of the indie rock band Florence and the Machine . The band's debut studio album, Lungs (2009), topped the UK Albums Chart and won the Brit Award for Best British Album.
During summer 2009, Florence and the Machine performed at a number of major festivals in the UK and Ireland, including the Glastonbury Festival 2009, [95] Reading and Leeds 2009, [96] Electric Picnic 2009 [97] and T in the Park 2009. [98] Florence and the Machine played at Australia's Splendour in the Grass music festival in July 2010. The ...
Florence Welch Jamie Smith: High as Hope: 2018 [1] "Blinding" Florence Welch Paul Epworth: Lungs: 2009 [4] "The Bomb" Florence Welch Robert Ackroyd Thomas Bartlett. Dance Fever: 2022 [3] "Breaking Down" ‡ Florence Welch Ceremonials: 2011 [2] "Cassandra" Florence Welch Kid Harpoon. Dance Fever: 2022 [3] "Caught" Florence Welch James Ford: How ...
"Dog Days Are Over" is a song by English indie rock band Florence and the Machine from their debut album Lungs (2009). It was originally scheduled for release on 24 November 2008 through Moshi Moshi Records in the UK as the album's second single, but was later pushed back for release on 1 December 2008.
Isabella Janet Florentina Summers [1] [2] (born 31 October 1980) [3] is an English Emmy-nominated film Composer, songwriter/producer and musician. She is best known as the architect of the sound of the 6x Grammy nominated indie rock band Florence and the Machine and spent 14 years writing, producing, touring, and composing her cinematic sound before making the jump from pop music to composing ...
"Moderation" is a song by British band Florence and the Machine, released as a single on 24 January 2019 through Virgin EMI Records. [1] The digital release includes the B-side "Haunted House". It is the band's first new material since their fourth studio al
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Florence Welch, the lead singer of Florence and the Machine revealed "Hunger" was originally a poem, without thinking to turn out into a song. [4] Katherine St. Asaph, a reviewer from Pitchfork, thought that the poem was originally meant for Welch's collection book Useless Magic before becoming a song. [5]