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Cast (Don Giovanni, Leporello, Donna Anna, Don Ottavio, Donna Elvira, Zerlina, Masetto, Commendatore) Conductor, Opera house and orchestra Label [1] 1954 Cesare Siepi Otto Edelmann Elisabeth Grümmer Anton Dermota Lisa Della Casa Erna Berger Walter Berry Dezső Ernster: Wilhelm Furtwängler Vienna Philharmonic, Salzburg Festival
The Grammy Award for Best Opera Recording has been awarded since 1961. The award was originally titled Best Classical Opera Production. The current title has been used since 1962. Prior to 1961 the awards for operatic and choral performances were combined in a single award for Best Classical Performance, Operatic or Choral.
This sound recording is not protected because it was published in the European Union more than 50 (Directive 2006/116/EC) or 70 years ago (Directive 2011/77/EU) and the rights of its performers and producers have expired
Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Le nozze di Figaro is a 1959 EMI studio recording of Mozart's opera of the same name with the Philharmonia Orchestra and Chorus under Carlo Maria Giulini.The cast includes Elisabeth Schwarzkopf as the Countess, Anna Moffo as Susanna, Eberhard Wächter as the Count, Giuseppe Taddei as Figaro and Fiorenza Cossotto as Cherubino.
In 1967 Siepi was Don Giovanni in a controversially received production staged by Otto Schenk and designed by Luciano Damiani that showed Mozart's masterpiece in the light of the commedia dell'arte, emphasizing the comic and ironic elements of this opera (conductor Josef Krips strongly opposed this production's concept).
Don Giovanni [ag] Dramma giocoso 2 acts Italian Da Ponte, based on Giovanni Bertati's Don Giovanni Tenorio: 3 soprano, 1 tenor, 1 baritone, 3 bass, chorus 29 October 1787 [ah] Estates Theatre, [ai] Prague K.527 Score Libretto: 1789–90 Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte
Leave the dead in peace!") and from the finale where he condemns Don Giovanni to Hell. The love duet of Don Giovanni and Zerlina follows ("Là ci darem la mano"), along with two variations on this theme, then an extended fantasy on the Champagne aria ("Fin ch'han dal vino"), and finally the work concludes with the Commendatore's threat.