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Sheath dress. In fashion, a sheath dress is a fitted, straight cut dress, often nipped at the waistline with no waist seam. [1] When constructing the dress, the bodice and skirt are joined together by combining the skirt darts into one dart: this aligns the skirt darts with the bodice waist dart. [2]
Various Ancient Egyptian clothes and jewelry including an undecorated tunic (1), a decorated sheath dress (5), a shendyt (2), a cape & skirt ensemble (13), one of the draping styles for the sari-like garment (3) Ancient Egyptian dress can broadly be divided into types of tunics, robes, skirts, and shawls, typically made of linen.
A shift dress is a dress in which the cloth falls straight from the shoulders and has darts around the bust. It frequently features a high scoop or boat neck. [3] The shift dress is often confused with the sheath dress, which is form-fitting and shaped by tucks on the waist area. Shift dresses became popular in western fashion in the 1920s and ...
For his dress designs he conceived a special pleating process and new dyeing techniques. He patented his process in Paris on 4 November 1910. [5] He gave the name Delphos to his long, clinging sheath dresses that undulated with color, so called because it emulated the dress of the bronze statue of the Charioteer of Delphi.
Princess line or princess dress describes a woman's fitted dress or other garment cut in long panels without a horizontal join or separation at the waist. [ 2 ] [ 3 ] Instead of relying on darts to shape the garment, the fit is achieved with long seams ( princess seams ) and shaped pattern pieces . [ 4 ]
Skirts were looped, draped, or tied up in various ways, and worn over matching or contrasting colored underskirts. The polonaise was a revival style based on a fashion of the 1780s, with a fitted, cutaway overdress caught up and draped over an underskirt. Long, jacket-like fitted bodices called basques were also popular for clothing during the day.
A girl wearing Victorian-inspired fashion. Before the rise of industrial manufacture, construction of most articles of clothing required extensive hand labor. Clothing worn by farmers and laborers was more a matter of practicality than fashion. In order to maximize value, clothing was repaired when worn or damaged, sometimes with layers of ...
Fashion photographers also photographed the Single Girl wearing business wear, calling her the Working Girl. The Working Girl motif represented another shift for the modern, fashionable woman. Unlike earlier periods, characterized by formal evening gowns and the European look, the 1960s Working Girl popularized day wear and "working clothing".
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