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"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
"Every Little Thing" is a song by the English rock band the Beatles from their album Beatles for Sale, issued in the UK in December 1964. Credited to Lennon–McCartney, it was written by Paul McCartney. Capitol Records first issued the song in the US on Beatles VI in June 1965.
The song has been said to be musically reminiscent of the Beatles' hit single "Penny Lane". [4] It moves forward by way of regular chords, produced by Lennon and George Harrison's electric guitar. George Martin plays Pianet and piano, on the latter bypassing the keyboard and directly striking the strings. [5]
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI. [2]
The song marked the Beatles' first use of a guitar volume pedal. [ 20 ] [ 32 ] This tone-altering effect was a precursor to the wah-wah pedal and had recently been played by session guitarist Big Jim Sullivan on Dave Berry 's UK chart hits " The Crying Game " and "One Heart Between Two".
Whereas you have a lot of bass players playing the root of the guitar chord, and that’s your song, [here] I’m playing one line, he’s playing a contradictory line, and it creates this cacophony.
The Beatles made a total of ten black-and-white videos that day, [22] [23] filming clips for the new songs as well as for their previous hit singles "I Feel Fine", "Ticket to Ride" and "Help!" [20] [24] [nb 1] Three of the films were mimed performances of "We Can Work It Out", [24] in all of which Lennon was seated at a harmonium. [25]
The Beatles did not perform any of the songs from Revolver during their August 1966 US tour. [52] While acknowledging that several of the tracks would have been impossible to reproduce in concert, Unterberger says that guitar-based songs such as "And Your Bird Can Sing" would have been easy to arrange for live performance.