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  2. Missionary Diocese of All Saints - Wikipedia

    en.wikipedia.org/wiki/Missionary_Diocese_of_All...

    The Missionary Diocese of All Saints (MDAS) is a non-geographical diocese of the Anglican Church in North America, comprising 25 parishes in 14 American states: Washington, Arizona, Texas, Michigan, Ohio, Kentucky, Florida, New York, Colorado, New Mexico, South Carolina, Virginia, Maryland and Delaware, in addition to ministries in Latin America and Africa.

  3. 3,4-Methylenedioxyamphetamine - Wikipedia

    en.wikipedia.org/wiki/3,4-Methylenedioxyamphetamine

    3,4-Methylenedioxyamphetamine (MDA), sometimes referred to as sass, is an empathogen-entactogen, stimulant, and psychedelic drug of the amphetamine family that is encountered mainly as a recreational drug.

  4. MMDA (drug) - Wikipedia

    en.wikipedia.org/wiki/MMDA_(drug)

    MMDA (3-methoxy-4,5-methylenedioxyamphetamine; 5-methoxy-MDA) is a psychedelic and entactogen drug of the amphetamine class. It is an analogue of lophophine , MDA , and MDMA . MMDA was described by Alexander Shulgin in his book PiHKAL .

  5. Academic quarter (year division) - Wikipedia

    en.wikipedia.org/wiki/Academic_quarter_(year...

    This quarter system was adopted by the oldest universities in the English-speaking world (Oxford, founded circa 1096, [1] and Cambridge, founded circa 1209 [2]). Over time, Cambridge dropped Trinity Term and renamed Hilary Term to Lent Term, and Oxford also dropped the original Trinity Term and renamed Easter Term as Trinity Term, thus establishing the three-term academic "quarter" year widely ...

  6. MDA framework - Wikipedia

    en.wikipedia.org/wiki/MDA_framework

    April 2021) (Learn how and when to remove this message) Mechanics, Dynamics and Aesthetics from the perspectives of designer (blue) and player (green) In game design the Mechanics-Dynamics-Aesthetics ( MDA ) framework is a tool used to analyze games.

  7. Quartal and quintal harmony - Wikipedia

    en.wikipedia.org/wiki/Quartal_and_quintal_harmony

    The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.